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X-WR-CALNAME:Warsaw Chamber Opera
X-ORIGINAL-URL:https://operakameralna.pl
X-WR-CALDESC:Events for Warsaw Chamber Opera
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TZID:Europe/Warsaw
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DTSTART:20250330T010000
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DTSTART;TZID=Europe/Warsaw:20251029T190000
DTEND;TZID=Europe/Warsaw:20251029T220000
DTSTAMP:20260314T183107
CREATED:20250721T133756Z
LAST-MODIFIED:20251028T143748Z
UID:44934-1761764400-1761775200@operakameralna.pl
SUMMARY:Company – Stephen Sondheim
DESCRIPTION:KUP BILET\n\n\nNOTICE! Strobe lighting will be used intermittently during the performance.\nBasen Artystyczny Stage\nStephen Sondheim\nCompany\n\n\n\nLibretto | George Furth\nPolish Translation | Maciej Glaza\n  \n\n\n\n\nCreative Team\n\nMusic Director | Tomasz Szymuś\nStage Direction | Michał Znaniecki\nSet Design | Luigi Scoglio\nCostume Design | Ewa Minge\nChoreography | Inga Pilchowska\nKostiumy | Sabina Czupryńska\nLighting Design | Dawid Karolak\nMultimedia | Karolina Jacewicz\nDirector’s Assistant | Rafał Supiński \n\nCast\n\nRobert/Bobby | Janusz Kruciński \nHarry | Maciej Miecznikowski \nSara | Marta Burdynowicz \nPaul | Andrzej Skorupa \nAmy | Anastazja Simińska\nJoanne | Alicja Węgorzewska/Ewelina Rzezińska\nSusan | Anna Sroka-Hryń \nLarry | Zbigniew Konopka \nPeter | Przemysław Glapiński/Łukasz Górczyński\nDavid | | Wojciech Stolorz \nJenny | Bogumiła Dziel-Wawrowska\nApril | Magdalena Pikuła \nKathy | Paulina Janczak/Aleksandra Biskot \nMartha | Iga Caban-Pawnuk\nAnioł | Paulina Łysikowska- Dorocka \n\n\nBallet Ensemble \nJoanna Kierzkowska\, Ewelina Kruk / Zyta Bujacz-Dziel\, Dominika Lewandowska\, Joanna Lichorowicz-Greś\, Paulina Wojtkowska\, Marta Żabka \n\n\n\n\n\n\n\n\nThe Choir of the Warsaw Chamber Opera \nChorus Master | Krzysztof Kusiel-Moroz \n  \nInstrumental Ensemble \nSaxophones | Mariusz Mielczarek\nSaxophones | Paweł Gusnar\nSaxophones | Konrad Gzik\nSaxophones | Jakub Wydrzyński\nOboe | Łukasz Dzikowski\nTrumpet | Kuba Waszczeniuk\nTrombone | Andrzej Rękas\nPercussion | Sebastian Frankiewicz\nKeyboards | Jan Zeyland\nKeyboards | Marcin Trojanowicz\nBass | Patryk Stachura\nViolins | Zuzanna Remiorz\nViolins | Jacek Wachnik\nViola | MajaWachnik\nCello | Karol Wachnik \n  \nConductor | Tomasz Szymuś\n\n\n\nDuration | 180 min. ( break 30 min.) \n\n\n\nPHOTOS FROM THE PREMIERE\n\n        \n            \n                                                \n\n                                        \n                        DSC02883DSC02066DSC02604DSC03452DSC04057DSC04179DSC03983CCR01182DSC03514DSC03898                    \n\n                                    \n            \n        \n         \nPHOTOS FROM THE SECOND PREMIERE\n\n        \n            \n                                                \n\n                                        \n                        CCR01163CCR00825CCR00850CCR00918CCR01210CCR01318CCR00982                    \n\n                                    \n            \n        \n         \n  \n\n\n\n\n  \nCompany – A Musical That Stands the Test of Time\nCompany\, one of Broadway’s all-time greatest hits\, is a landmark American musical featuring both music and lyrics by Stephen Sondheim\, with a book by George Furth. Unique in Sondheim’s vast body of work\, it is often cited as one of the first socially conscious musicals. More than 50 years after its 1970 premiere\, its themes remain powerfully relevant. The show earned 14 Tony Award nominations and won 6\, including Best Musical. \nBroadway critic Jonathan Mandell has called Company “a work packed with masterful lyrics\,” and in his review of the 2021 New York revival at the Ethel Barrymore Theatre\, he wrote: “These are some of the smartest songs in musical theatre history.” \nThe plot centers on Robert\, a charming bachelor navigating his relationships with five married couples—his closest friends—and three girlfriends. Rather than following a traditional linear narrative\, the story unfolds through a series of vignettes connected by Robert’s birthday celebrations. As Sondheim described it: “These are middle-class people with middle-class problems.” \nCharles Isherwood of Broadway News offers a deeper interpretation: \nCompany is a musical meditation on emotional ambivalence\, on the feeling that “the road not taken”—to quote Sondheim himself—might have led to greater happiness. Each married character questions the choices they’ve made\, especially the decision to commit their lives to another\, and most find that the answers remain elusive or ambiguous. \nEach time the show returns to the stage—whether on Broadway or London’s West End—it astonishes audiences with the timelessness of its themes and emotional depth. What once shocked audiences in 1970 with its unconventional form—disconnected scenes resembling one-act plays—is now its hallmark. In the end\, Robert begins to understand that there are more reasons to embrace love and commitment than to avoid them. \nBut does optimism ultimately win?That’s the question the audience must answer for themselves. \n*** \nThe production is executed to perfection—musically\, choreographically\, and dramatically. Broadway in Warsaw.  \ne-teatr\, Bronisław Tumiłowicz  \nThe vocal lines for Bobby and the ensemble scenes are musically outstanding. The live band is exceptional. \nTeraz Teatr\,  Marta Gaik \n  \nProduction Partner:
URL:https://operakameralna.pl/en/event/company-stephen-sondheim-29-en/
LOCATION:Basen Artystyczny Stage\, M. Konopnicka 6\, Warsaw
ATTACH;FMTTYPE=image/jpeg:https://operakameralna.pl/wp-content/uploads/2025/07/COMPANY_slider_slider_slider-scaled.jpg
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