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DTSTART;TZID=Europe/Warsaw:20260614T180000
DTEND;TZID=Europe/Warsaw:20260614T211500
DTSTAMP:20260610T150815
CREATED:20260303T095827Z
LAST-MODIFIED:20260513T080850Z
UID:47375-1781460000-1781471700@operakameralna.pl
SUMMARY:Don Giovanni: Il dissoluto punito\, ossia Il Don Giovanni - Wolfgang Amadeus Mozart
DESCRIPTION:BUY TICKET\n\nTheatre of the Warsaw Chamber Opera\nWolfgang Amadeus Mozart\nDon Giovanni\nIl dissoluto punito\, ossia Il Don Giovanni\nOpera in two acts\, with recitatives in Polish translated by Stanisław Barańczak\nLibretto | Lorenzo da Ponte\n  \nCreative Team\nStaging\, Direction\, and Costumes | Michał Znaniecki\nMusic Director | Tadeusz Kozłowski\nScenography | Rafał Olbiński\, Luigi Scoglio\nChoreography | Inga Pilchowska\nLighting Design | Dawid Karolak\nGraphic Projections | Karolina Jacewicz\n\nCast\nDon Giovanni | Łukasz Klimczak\nLeporello | Adam Zaremba\nDonna Anna | Joanna Moskowicz\nDonna Elvira | Zofia Garganisz\nZerlina | Hanna Sosnowska-Bill\nDon Ottavio | Jarosław Bielecki\nMasetto | Bartłomiej Kłos\nCommendatore | Remigiusz Łukomski\n\n  \n\nDancers\nKatarzyna Reisch-Jakubczak\, Anna Reisch-Rogowska\, Zyta Bujacz-Dziel\,\nEwelina Kruk\, Natalia Jóźwiak\, Joanna Kierzkowska\n  \nThe Choir of the Warsaw Chamber Opera\nChoir Master | Krzysztof Kusiel-Moroz\n  \nPeriod Instrument Orchestra of the Warsaw Chamber Opera\nMusicae Antiquae Collegium Varsoviense (MACV)\nPianoforte | Dorota Stawarska\n  \nConductor | Alessandro De Marchi\n\n\n  \n\n        \n            \n                                                \n\n                                        \n                        A7R02906A7R03115A7R03247A7R03256A7R03276A7R03423A7R03693A7R03706A7R03734A7R03834A7R03901A7R04102A7R04147A7R05168A7R05182                    \n\n                                    \n            \n        \n        \n\n  \n\n\n\n  \nMozart’s Don Giovanni is unforgettable. From the very first moment—the menacing andante in D minor of the overture\, to the lively allegro in D major\, and onwards—the dramma giocoso\, the “jocular drama\,” begins perfectly. No one\, not even Mozart himself in any other work\, achieves such genius and perfection. The opera is full of mysteries and questions. What really happened between Donna Anna and Don Giovanni? Are Anna\, Don Ottavio\, or Donna Elvira capable of killing? Does Don Giovanni’s lover’s catalog really contain 2\,065 names\, surnames\, and addresses? Why does Zerlina ask Masetto to strike her? Who is Elvira’s maid? What role does Leporello play—as narrator\, friend\, mask\, alter ego\, or mirror? And ultimately: what is love (“Don Juan kills love\,” as Shaw wrote)\, freedom (“Viva la libertà”)\, and death? \nAnd the most pressing question: who is Don Giovanni? Or rather\, who is the Commendatore? Questions multiply. As Michał Bristiger wrote: “A murder has been committed (a new dramatic moment in the history of opera!). It is a ‘liminal’ event\, meaning it contains absolute irrevocability. The opera tells of this irrevocability\, of the inevitability of Don Giovanni being seized by a force outside the everyday world\, regardless of how it connects with punishment.” So\, the opera confronts murder\, crime\, inevitability\, and retribution. Perhaps damnation\, perhaps hell. This is a new beginning for dramma giocoso—a human comedy in which there is nothing to laugh at. \n  \n \n  \nFor me\, this production is more than the latest premiere in a theatre. \nIt is an event! Rafał Olbiński’s projections pulse with the emotions and subconscious of the title character. \nAlina Ert-Eberdt – Segregatory \n  \nMichał Znaniecki’s staging of Don Giovanni is designed for repeated viewing and listening\, allowing the audience to savor and fully enjoy it. The set design teases and entices\, inviting one to peer through its openwork layers\, to observe\, guess\, and imagine. I often found myself captivated. The abundance of stimuli produced moments of pure “wow.” The small space of the Warsaw Chamber Opera becomes\, in Znaniecki’s production\, a kind of silva rerum: action unfolds on the proscenium\, the stage\, deep in the back\, and in side scenes. Only after some time did I regretfully realize that pausing on the six-hundred-eighth detail distracted me from the music. \nMonika Jazownik – Presto \n  \nThe best soloists were brought from across the country\, along with the conductor\, to ensure that the most important element—the music of Mozart—remained uncompromised. \nBronisław Tumiłowicz – Przegląd
URL:https://operakameralna.pl/en/event/don-giovanni-il-dissoluto-punito-ossia-il-don-giovanni-wolfgang-amadeus-mozart/
LOCATION:Theatre of the Warszawska Opera Kameralna\, al. Solidarności 76b
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://operakameralna.pl/wp-content/uploads/2026/02/Don_Giovanni_SLIDER_2048x1304.jpg
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