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DTSTART;TZID=Europe/Warsaw:20240620T190000
DTEND;TZID=Europe/Warsaw:20240620T220000
DTSTAMP:20260513T174415
CREATED:20240513T105228Z
LAST-MODIFIED:20240513T105228Z
UID:40654-1718910000-1718920800@operakameralna.pl
SUMMARY:"Don Giovanni" / Wolfgang Amadeus Mozart
DESCRIPTION:BUY TICKET\n \nCAUTION! A performance for adult viewers !!!\n\nDuring the performance\, short-term strobe lights will be used twice.\n\n33rd Mozart Festival in Warsaw \nTheatre of the Warszawska Opera Kameralna\nWolfgang Amadeusz Mozart\nDon Giovanni\nIl dissoluto punito\, ossia Il Don Giovanni \nOpera in two acts\, recitatives translated into Polish by Stanisław Barańczak \nDuration: 180 min.\, 1 entr’acte (15 min.) \nComposer | Wolfgang Amadeus Mozart \nLibretto | Lorenzo da Ponte \nPremiere | 29 May 2021  \n\nMusic director: Tadeusz Kozłowski\nStaging and director: Michał Znaniecki\nSet design: Rafał Olbiński\, Luigi Scoglio\nCostumes: Michał Znaniecki\nChoreography: Inga Pilchowska\nLighting director: Dawid Karolak\nMultimedia: Karolina Jacewicz \nCAST:\nDon Giovanni – Łukasz Klimczak\nLeporello – Adam Zaremba\nDonna Anna – Joanna Moskowicz\nDonna Elwira – Natalia Rubiś\nZerlina – Aleksandra Borkiewicz-Cłapińska\nDon Ottavio – Aleksander Kunach\nMasetto – Dawid Biwo\nCommendatore – Remigiusz Łukomski \nDancers:\nKatarzyna Reisch\, Anna Reisch\, Joanna Kierzkowska\, Zyta Bujacz-Dziel\, Karolina Banaszek\, Natalia Jóźwiak  \nVocal Ensemble of the Warszawska Opera Kameralna\nChorus Master – Krzysztof Kusiel-Moroz \n Period Instrument Orchestra of the Warszawska Opera Kameralna\nMusicae Antiquae Collegium Varsoviense \nConductor\nAdam Banaszak \n  \n\n        \n            \n                                                \n\n                                        \n                        A7R02906A7R03115A7R03247A7R03256A7R03276A7R03423A7R03693A7R03706A7R03734A7R03834A7R03901A7R04102A7R04147A7R05168A7R05182                    \n\n                                    \n            \n        \n        \n\nThe music of „Don Giovanni” is impossible to forget. From the first moment\, from the ominous strike of andante in D minor (overture)\, and further to the dancing allegro in D major\, and beyond… A perfect start to a dramma giocoso\, a joyful drama (!)\, from which no one\, like him\, Mozart\, made full of it. So brilliant and perfect. It is full of mysteries and questions. What really happened between Donna Anna and Don Giovanni? Can Anna\, Don Ottavio (as well as Donna Elvira)\, be capable of murder? Do we really find 2065 names\, surnames\, addresses in the lover’s catalogue? Why does Zerlina ask Masetto to beat her? Who is Elvira’s maid? What is Leporello’s role in all this (narrator\, friend\, mask\, alter ego\, mirror)? And in human terms: what is love (“Don Juan kills love” – wrote Shaw)\, freedom (“Viva la liberta”)\, death? \nAnd most importantly: who is Don Giovanni? Or rather: who is the Commendatore? Multiplying questions. Michał Bristiger wrote: “A murder has been committed (a new dramatic moment in the history of opera!). And it is a »breaking« moment\, meaning it contains within it an absolute irrevocability. The opera tells about this irrevocability\, about the inevitability of Don Giovanni being embraced by a force from beyond the everyday world\, regardless of how it binds itself with punishment”. So\, murder\, crime\, inevitability\, punishment. Perhaps damnation\, hell. Here’s a new beginning to a dramma giocoso\, a human comedy\, in which there’s nothing to laugh about. \n*** \nI really enjoy this show. It is something more than the latest theatre premiere.  \nIt’s an event!  \nIn the projections by Rafał Olbiński\, the emotions and subconsciousness of the title character are buzzing. \nAlina Ert-Eberdt – Segregatory \nThe opera “Don Giovanni” staged by Michał Znaniecki is\, in my opinion\, intended to be watched and listened to multiple times\, in order to be able to taste it and fully enjoy it. (…) the set design lures and entices us to observe\, deduct and guess through the openwork gaps. And here\, I must admit that I found myself staring many times. Often times\, the amount of stimuli I was taking gave me a big “wow”. The small space of the Opera Kameralna became a kind of “silva rerum” in Znaniecki’s production. It happened on the proscenium\, on the stage\, in the back of the stage\, in the side proscenium stages. It was only after a while that I realized with regret that stopping at the six hundred and eighth detail knocks out my musical awareness.  \nMonika Jazownik – Presto \nThe best soloists were brought from different parts of the country\, including the conductor\, so that the most important element – Mozart’s music – remains intact \nBronisław Tumiłowicz – Przegląd
URL:https://operakameralna.pl/en/event/don-giovanni-wolfgang-amadeus-mozart-9/
LOCATION:Teatr Warszawskiej Opery Kameralnej\, al. Solidarności 76 b\, Warszawa\, 00-145
CATEGORIES:33rd Mozart Festival in Warsaw,Opera,Repertoire
ATTACH;FMTTYPE=image/png:https://operakameralna.pl/wp-content/uploads/2024/01/DON-GIOVANI-DGTL_slider.png
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