BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Warsaw Chamber Opera - ECPv5.16.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Warsaw Chamber Opera
X-ORIGINAL-URL:https://operakameralna.pl
X-WR-CALDESC:Events for Warsaw Chamber Opera
BEGIN:VTIMEZONE
TZID:Europe/Warsaw
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20261025T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20260521T190000
DTEND;TZID=Europe/Warsaw:20260521T210000
DTSTAMP:20260415T113235
CREATED:20260302T143659Z
LAST-MODIFIED:20260413T094320Z
UID:47336-1779390000-1779397200@operakameralna.pl
SUMMARY:La finta semplice - Wolfgang Amadeus Mozart
DESCRIPTION:BUY TICKET\n\nBasen Artystyczny Stage\nWolfgang Amadeus Mozart\nLa finta semplice\nOpera buffa in three acts\nLibretto | Mario Coltellini\nTranslation | Dorota Sawka\n  \nCreative Team\nArrangement and Musical Direction | Tomasz Pokrzywiński\nStage Direction and Production | Jitka Stokalska\nSet and Costume Design | Aleksandra Reda\nChoreography | Wioleta Fiuk\nGraphics and Visuals | Wojciech Kapela\nLighting Direction | Michał Drozd\n  \nAssistant Director | Rafał Supiński\nAssistant Choreographer | Patryk Gacki\n  \nCast\nNinetta | Magdalena Stefaniak\nRosina | Anna Farysej\nGiacinta | Roksana Maciejczuk\nFracasso | Szymon Rona\nPolidoro | Jacek Szponarski\nCassandro | Łukasz Klimczak\nSimone | Mateusz Kulczyński\nDancers:\nDawid Kołcz\, Jakub Leśniak\, Yury Puidak\n  \nBastarda Mozart Ensemble\nPaweł Szamburski | clarinet\nTomasz Pokrzywiński | cello\nMichał Górczyński | contrabass clarinet\nOlivia Bujnowicz-Wadowska | violin\nMirosław Feldgebel | piano\nAndrzej Olewiński / Zuzanna Bonarska | electric guitar\n  \nMaestro di capella | Tomasz Pokrzywiński\n\n\n\n\n“Mozart with breakdance and Bastarda — two faces of La finta semplice” – Teatr dla Wszystkich (Wiesław Kowalski)The reviewer highlights the maturity and theatrical potential uncovered in Mozart’s youthful work. Modern choreography by Wioleta Fiuk\, the inclusion of street dance\, and the original soundscape by Trio Bastarda give the opera a fresh context. \n“Not such a naive opera” – Presto (Ewelina Czarnowska)The performance was neither a typical educational opera nor a classical buffa\, but a bold\, contemporary theatre piece. Vocal performance and Aleksandra Reda’s set design\, blending 18th-century aesthetics with psychedelic colors\, were especially praised. \n“Mozart at Warsaw Autumn” – Maestro (Joanna Tumiłowicz)The review emphasizes the “autumnal\,” modern atmosphere of the production\, full of contrasts and experimentation. Tomasz Pokrzywiński’s daring arrangements and the inclusion of breakdancers introduced a sense of joyful chaos. \n“La finta semplice at Basen Artystyczny” – Segregator Aliny (Alina Ert-Eberdt)The production perfectly matched WOK’s profile\, combining early music with jazz and the Mozart Junior program. Young singers and acrobats\, colorful costumes\, and lively staging entertained adults and inspired youth alike. \n“How young Mozart rocked a jazz club” – Orfeo (Tomasz Pasternak)Trio Bastarda and guest musicians transported Mozart into the world of jazz\, blues\, and rock riffs without losing the spirit of the original. The vocal cast\, choreography\, and Jitka Stokalska’s theatrical imagination were highly praised. The performance was described as a “joy of playing and singing — just as Mozart knew it in his childhood.”
URL:https://operakameralna.pl/en/event/la-finta-semplice-wolfgang-amadeus-mozart-7/
LOCATION:Basen Artystyczny Stage\, M. Konopnicka 6\, Warsaw
CATEGORIES:Opera
ATTACH;FMTTYPE=image/jpeg:https://operakameralna.pl/wp-content/uploads/2026/02/La_FInta_SLIDER_2048x1304.jpg
END:VEVENT
END:VCALENDAR