BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Warsaw Chamber Opera - ECPv5.16.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Warsaw Chamber Opera
X-ORIGINAL-URL:https://operakameralna.pl
X-WR-CALDESC:Events for Warsaw Chamber Opera
BEGIN:VTIMEZONE
TZID:Europe/Warsaw
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20251026T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Warsaw:20251108T190000
DTEND;TZID=Europe/Warsaw:20251108T202000
DTSTAMP:20260607T034927
CREATED:20250717T075133Z
LAST-MODIFIED:20250717T104443Z
UID:44826-1762628400-1762633200@operakameralna.pl
SUMMARY:Lamento Project
DESCRIPTION:BUY TICKET\n\nBasen Artystyczny Stage\n\nLamento Project\n\nSporano | Dorota Szczepańska \n\n\nLute | Alon Sariel\n \n\n\nDouble bass | Peter Schwebs \n\n\n\nConcert Program\nClaudio Monteverdi (1567–1643)Lamento d’Arianna “Lasciatemi morire” from the opera Arianna\, SV 107 \nGeorge Frideric Handel (1685–1759)Almirena’s aria “Lascia ch’io pianga” from the opera Rinaldo\, HWV 7 \nSting“Shape of My Heart” from the album Ten Summoner’s Tales\, co-written with guitarist Dominic Miller \nRobert de Visée (1660–1732)Chaconne\, IRV 9 \n* \nHenry Purcell (1659–1695)Dido’s lament “Thy hand\, Belinda… When I am laid in earth” from the opera Dido and Aeneas\, Z 626 \nBob Telson“Calling You” – song from the film Bagdad Cafe (1987) \nClaudio Monteverdi (1567–1643)Lamento della Ninfa “Amor…” – Part II from the Eighth Book of Madrigals\, Madrigali dei guerrieri et amorosi (Madrigals of War and Love)\, SV 163 \n* \nHeinrich Ignaz Franz von Biber (1644–1704)Passacaglia in G minor\, C 105 \nBarbara Strozzi (1619–1677)“Sino alla morte” – excerpt from a cantata for soprano and continuo from Diporti di Euterpe\, Op. 7 \nMarcin PrzybyłowiczPriscilla’s Song “The Wolven Storm” from the game The Witcher 3: Wild Hunt \nAlon SarielPrelude from Partita No. 1 \nCarlos Gardel (1890–1935)“Volver”\, lyrics: Alfredo Le Pera \n* \n“Avinu Malkenu – Our Father\, Our King”\, Jewish prayer for forgiveness \nRolf Løvland“Sleepsong” from the album Secret Garden\, lyrics by Brendan Graham (2005) \nHenry Purcell (1659–1695)“Music for a While” – composed as incidental music for the play Oedipus by John Dryden and Nathaniel Lee\, Z 583 \n* \nJohann Sebastian Bach (1685–1750)Air for G String from Orchestral Suite No. 3 in D major\, BWV 1068 \nHenry Purcell (1659–1695)Dido “Ah\, Belinda…” from the opera Dido and Aeneas\, Z 626 \nJoe HisaishiSong from the Japanese epic fantasy animated film Princess Mononoke\, written and directed by Hayao Miyazaki (1997) \nAdele“Skyfall” from the James Bond film Skyfall\, written by Adele\, produced by Paul Epworth (2012) \n* \nKrzysztof A. JanczakMiranda’s Lament “Oh\, I have suffered…” – based on The Tempest by William Shakespeare \nAlessandro Stradella (1639–1682)Aria Speranza Celeste “No\, non disperate\, no!” from the opera Ester \n\n\n\nDuration: 80 min.\n\n\n\n\n \n\n\n\n“[…] There were no coughs. No shuffling. Silence\, as if enchanted. The audience listened as if they didn’t want to miss a single sound. The concert ended with minutes of applause and joyful exclamations.” \n— Norbert Bödecker\, Hannoversche Allgemeine Zeitung (HAZ) \nBetween Baroque\, pop\, and a touch of jazz\, a unique trio meets to place the form of the musical lamento at the heart of their program. But this is no ordinary lament – it’s one in which every listener may find a piece of themselves. \nIn a recital lasting over an hour\, inspired in part by Christina Pluhar and L’Arpeggiata\, the artists serve up an exciting palette of shades\, flavors\, and rhythms\, crafting a masterful musical fusion. Polish soprano Dorota Szczepańska\, Israeli lutenist Alon Sariel\, and German jazz double bassist Peter Schwebs embarked on an intensive artistic search to present a captivating blend that transcends genre boundaries. \nThe result is a concert made up of several interwoven chapters that showcase the lamento as a timeless\, diverse\, and richly nuanced phenomenon. \nThanks to the performers’ creative and tasteful arrangements\, it feels perfectly natural that Handel\, Monteverdi\, Purcell\, and Stradella share the stage with Sting\, Adele\, Bob Telson\, and even a song from a video game. \nRenowned Polish film composer Krzysztof A. Janczak has composed Miranda’s Lament\, based on Shakespeare’s The Tempest\, specifically for this project – adding a fresh\, seamlessly integrated piece to the repertoire. \nJoin us for over an hour of pure musical passion!
URL:https://operakameralna.pl/en/event/lamento-project-2/
LOCATION:Basen Artystyczny Stage\, M. Konopnicka 6\, Warsaw
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://operakameralna.pl/wp-content/uploads/2025/07/lamento_project_SLIDER_2048x1304-1-scaled.jpg
END:VEVENT
END:VCALENDAR