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X-WR-CALDESC:Events for Warsaw Chamber Opera
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DTSTART;TZID=Europe/Warsaw:20240614T200000
DTEND;TZID=Europe/Warsaw:20240614T210000
DTSTAMP:20260610T140653
CREATED:20240513T104916Z
LAST-MODIFIED:20240612T075822Z
UID:40652-1718395200-1718398800@operakameralna.pl
SUMMARY:Requiem d-moll KV 626 / Wolfgang Amadeus Mozart
DESCRIPTION:BUY TICKET\n\n33rd Mozart Festival in Warsaw \nBasilica of the Holy Cross in Warsaw\nRequiem d-moll KV 626\n\nWolfgang Amadeus Mozart\n  \nMagdalena Stefaniak – sopran \nJustyna Rapacz – mezzosopran \nAndrzej Lampert – tenor \nŁukasz Konieczny – bas \n  \nVocal Ensemble of the Warszawska Opera Kameralna\nChorus Master – Krzysztof Kusiel-Moroz \nPeriod Instrument Orchestra of the Warszawska Opera Kameralna\nMusicae Antiquae Collegium Varsoviense \nConductor\nAdam Banaszak \n\nThe concert that the audience of the Mozart Festival always look forward to. For three decades\, these magnificent phrases have been returning to the interiors of Warsaw churches… \n  \nMozart’s Requiem is one of the most enigmatic compositions in the history of music. The composer did not know the name of the person commissioning the work\, who was – as we know today – the music enthusiast\, Count Franz Walsegg\, who used to order and claim other people’s compositions as his own. For this reason\, various speculations have been made over the years about the circumstances of this commission – one of the most famous interpretations of this episode can be found in Miloš Forman’s film Amadeus. Mozart\, despite being paid “in advance”\, did not immediately get to work. He did not have much time for it anyway\, as he was at the time composing operas: The Magic Flute and La Clemenza di Tito. When he finally began to compose the mass\, he fell ill. Bedridden\, in the last days of his life\, he dictated the next phrases of the Requiem to his friend\, Franz Xaver Süssmayr. Between being awake and feverish delirium\, he composed in a belief that it would be a funeral mass for his soul. He died on 4 December 1791\, at the age of 35\, while dictating the eighth bar of the beautiful Lacrimosa. Süssmayr had to finish the sketches of his friend by himself. The original Mozartian phrases: Dies Irae\, Confutatis\, or Tuba mirum\, just like Lacrimosa\, prove the composer’s genius today. However\, the demonic Sanctus\, melancholic Benedictus\, and the touching romantic note Agnus Dei are the work of Süssmayr. Here\, the successor achieved a level worthy of his master.
URL:https://operakameralna.pl/en/event/requiem-d-moll-kv-626-wolfgang-amadeus-mozart-3/
LOCATION:Bazylika Świętego Krzyża\, Krakowskie Przedmieście 3\, Warszawa\, 00-047
CATEGORIES:33rd Mozart Festival in Warsaw,Concert,Repertoire
ATTACH;FMTTYPE=image/jpeg:https://operakameralna.pl/wp-content/uploads/2024/05/slider-requiem-14-06-ENG.jpg
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