The True Story of The Magic Flute / Wolfgang Amadeus Mozart
6. Mozart Junior Festival
Theatre of the Warsaw Chamber Opera
Wolfgang Amadeus Mozart
The True Story of The Magic Flute
A performace in Polish based on The Magic Flute by Wolfgang Amadeus Mozart
Composer | Wolfgang Amadeus Mozart
Libretto | Emanuel Schikaneder
Duration: 60 minutes
Premiere May 29, 2025
Creative Team
Music Director | Jerzy Wołosiuk
Direction | Tomasz Man
Staging | Giovanny Castellanos
Script | Karolina Cyz
Set Design | Rafał Olbiński, Katarzyna Gabrat-Szymańska
Costume Design | Marcin Łobacz
Choreography | Artur Dobrzański
Students and Doctoral Students from the Chopin University of Music in Warsaw
Cast
Tamino | Ernest Tymczyszyn
Pamina | Magdalena Łaszcz
Queen of the Night | Konstancja Molewska
Monostatos | Yakun Li
Papageno | Mateusz Kulczyński
Papagena | Paulina Herman
Sarastro | Hubert Dzietczyk
Three Ladies
Daria Sawczyk, Olga Sobolewska, Anna Mielecka
Dancers
Marek Bula, Wojciech Kazula
MOZOFEST Orchestra
Flute | Marcin Stawiszyński
Oboe | Piotr Lis
Clarinet | Jacek Dziołak
Bassoon | Marcin Orliński
Horn | Marek Michalec
Violin | Piotr Kaniuga
Violin | Adam Kacperczyk
Viola | Igor Kabalewski
Cello | Alfred Wiltos
Double Bass | Radek Nur
Timpani, Percussion | Rafał Kucharski
Conductor| Jerzy Wołosiuk
PHOTOS
REVIEWS
The Warsaw children’s version, prepared as part of the 6th Mozart Junior Festival, is titled The True Story of The Magic Flute – an important detail, as the performance presents not only the well-known fairytale elements, but also highlights universal values accessible to every viewer, regardless of age or musical background. The dialogues were simplified to suit younger audiences, but never became childish. Instead, humorous moments were included that entertained not only children. Though the story was shortened, its structure gained exceptional clarity. Each character – from Prince Tamino to Papageno and Sarastro – takes turns as narrator, guiding the audience through the plot. This approach helps children, as well as adults, understand not only what happens, but also the characters’ perspectives, motivations, and dilemmas. The format is engaging, builds tension, and introduces young viewers to the world of opera and theatre in an accessible way. Light-hearted, intelligent humor makes this a joy to watch. And the message – simple yet never banal – is that it’s worth being good, because goodness, even when tested, ultimately triumphs.
One standout was Magdalena Łaszcz as Pamina – both in acting and vocals. Her ethereal yet grounded piano in the aria “Ach, ich fühl’s” (especially in the g–b” third) was genuinely moving. She was matched in quality by Ernest Tymczyszyn (Tamino) and Mateusz Kulczyński (Papageno) – this trio delivered an impressively balanced and convincing performance.
Ewelina Czarnowska, prestoportal.pl
The romantic pair of Pamina and Tamino, played by Magdalena Łaszcz and the pleasing tenor Ernest Tymczyszyn, performed well. Konstancja Molewska successfully tackled both of the Queen of the Night’s arias. Mateusz Kulczyński was strong in both the spoken and sung parts of Papageno, showing great stage talent. The cast was rounded off by Sarastro – tall, commanding, with clear Polish diction and a bass voice of solid quality.
Joanna Tumiłowicz, maestro.net.pl









