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“(…) The genuine baroque costumes were undoubtedly a very strong point of the performance (…). The young singer Marcelina Beucher certainly succeeded in the title soprano part, in the development of a ground-breaking opera in portraying a woman all-consumed by passion.(…).”

Małgorzata Komorowska, teatralny.pl

About “Armide” directed by Deda Christina Colonna

“(…)You have to have the courage to sing the songs known from the unforgettable interpretations of Hanka Ordonówna, Ewa Demarczyk or Sława Przybylska. (…) It was a great pleasure of mine to listen to Plácido Domingo Junior, who, even though is a tenor, he sang in a low, non-operatic voice. (…)”

Alina Ert-Erbert, segregatoraliny.pl

About “Tango with Plácido Domingo Jr.” directed by Michał Znaniecki

“(…) The “old stagers” from the former WCO did a great job: Artur Janda (Figaro), Aleksander Kunach (Basilio), Dariusz Machej (Bartolo) and Elżbieta Wróblewska (Marcellina). Another debut singer, Paulina Tuzińska (Barbarina), sounds very promising.”

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Closing Gala of the 32. Mozart Festival in Warsaw – Tribute to Maria Callas

„Don Giovanni” / Wolfgang Amadeus Mozart

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“(…) The genuine baroque costumes were undoubtedly a very strong point of the performance (…). The young singer Marcelina Beucher certainly succeeded in the title soprano part, in the development of a ground-breaking opera in portraying a woman all-consumed by passion.(…).”

Małgorzata Komorowska, teatralny.pl

About “Armide” directed by Deda Christina Colonna

Alina Ert-Erbert, segregatoraliny.pl

About “Tango with Plácido Domingo Jr.” directed by Michał Znaniecki

Dorota Szwarcman, Polityka

About “The Marriage of Figaro” directed by Grzegorz Chrapkiewicz